Smethwick Puppetry Festival
In February 2024, Black Country Touring presented the first-ever Smethwick Puppetry Festival, in partnership with West Smethwick Park Pavilion. The festival took place over half-term, from 11th to 18th February. There were puppet shows for families, performances for adults, puppetry workshops and an exhibition all across 7 community venues in Smethwick. The festival saw us expand our programming and access provisions, and we received an overwhelmingly positive response from the local community.
Programme
Alongside puppet theatre shows, we expanded our programming for the festival with participatory workshops and an interactive exhibition. It was important to us that the performances reflected the diversity of Smethwick, so we reached out to diverse companies and performers beyond those who we’ve previously worked with.
Performances
Workshops
Exhibition
The Noughty One
Installation by Noisy Oyster
Welcome to the mesmerising world of ‘The Noughty One’!
Immerse yourself in the sights and sounds of a hybrid world driven by technology and crafted with puppetry techniques. Get up close to the action… Who is in control and who is being manipulated? Is this replication or creation? What exactly is the story here?
The Noughty One is the latest creation from Noisy Oyster, a multi award-winning, international puppet theatre company. This installation fuses puppetry, automata, and robotics with 3D printing manufacture to explore our relationship with technology and the mercurial nature of the human world.
15th February - 17th February
10am - 5pm
Thimblemill Library
Pay What You Can
Ensuring that the ticket cost would not be a barrier to accessing the festival was important to us, particularly at a time where many local people are feeling the impact of the increasing cost of living. In order to keep the festival affordable for everyone, tickets for the festival events were ‘pay what you can’, meaning that audiences were able to choose how much to pay for their tickets. For audience members who didn’t feel able to pay, the performances were free. Audience members were also given the option to make donations on the day of the performance.
Access
We expanded our access provisions and trialled some new initiatives during the festival. Our access provisions included:
Relaxed Performances
All of the family-friendly performances during the festival were relaxed performances. There was an informal atmosphere, and audiences were able to move around the space while the performance was taking place. Relaxed performances help to enable engagement, reduce anxiety, and make performances more accessible to people with autism and sensory processing differences.
Relaxed Performance Packs
Fidget toys, ear defenders and blankets were available at every venue for audience members to use during the performances.
Carer Tickets
We provided free tickets to carers / personal assistants of audience members who needed to be accompanied to performances.
BSL interpretation
The performance of ‘I’m Glad I Asked’ at Thimblemill Library on Thursday 15th February was BSL interpreted.
Disabled access and toilets
All of our venues for the festival had disabled access and toilets.
Audiences
Over a thousand people attended the festival across the 17 events.
99% of audiences agreed or strongly agreed that they would come to something like this again.
98% of audiences agreed or strongly agreed that they felt welcomed and included.
93% of audiences agreed or strongly agreed that the event had a positive impact on their mental wellbeing.
86% of audiences agreed or strongly agreed that the event gave them the opportunity to access activities they otherwise would not have had access to.
Impact on the Local Community
The Smethwick Puppetry Festival was more than just a series of events. It was a catalyst for community building, bringing people together to experience the arts in their local venues. The festival also brought our individual promoters together to participate in a larger-scale event across Smethwick, fostering collaboration and a sense of unity among local organisers. Audience members felt a sense of community pride, and other local venues expressed in participating in the future. We intent to establish the festival as an annual event, and are planning a larger-scale return in February 2025 with an increased programme, indicating the positive impact of the festival on the local community and its potential for future growth.
Artists Feedback
Presented by Black Country Touring in partnership with West Smethwick Park Pavilion, Lightwoods House, Friends of Thimblemill Library and Sandwell Libraries.
Made possible with funding from Arts Council England, Postcode Culture Trust and Sandwell Council.